Super 8 is a collection of video art in multi-channel formats, selected by a peer-to-peer curatorial process. Eight artists from eight cities across the globe were invited to present their videos, and invited four other artists from their respective cities to join them.
At the point where long-held beliefs fall into decline and once-esteemed notions crumble, questions arise about those belief systems. It is at this point that John-Mark Ikeda begins his exploration of the current economic climate. Ikeda deconstructs the iconic business suit — which he equates with the failed economy — stripping it down to its component parts and pinning it to the wall like a specimen, with accompanying business accessories, in an attempt to reconstitute it as a symbol of power.
Gina Osterloh’s new film project, Anonymous Front, is a visual essay on physical blindness and identity, created in collaboration with a vocational massage therapy school for the blind in the Philippines.
Gene Youngblood, the author of Expanded Cinema, has been teaching, writing, curating and lecturing on media democracy and alternative cinemas since 1970. Tonight, in a rare appearance, Youngblood will present Secession from the Broadcast: The Challenge to Create on the Same Scale as We Can Destroy.
