Wed September 9th Open 11 AM–8 PM
Exhibitions
GaHee Park: Behind the Curtain
August 7, 2026–January 3, 2027
Both visually captivating and subtly unsettling, GaHee Park’s paintings are enigmas of suggestive surrealism.
Films
Pandora and the Flying Dutchman
Co-Presented by GaHee Park, Michael Vass & YBCA
See Albert Lewin’s “Pandora and the Flying Dutchman” (1951) as part of a weekly film series exploring voyeurism and theatricality, cocktail charm and social taboos.
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Films
Trouble in Paradise
Co-Presented by GaHee Park, Michael Vass & YBCA
See Ernst Lubitsch’s “Trouble in Paradise” (1932) as part of a weekly film series exploring voyeurism and theatricality, cocktail charm and social taboos.
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Films
Yourself and Yours
Co-Presented by GaHee Park, Michael Vass & YBCA
See Hong Sang-soo’s “Yourself and Yours” (2016) as part of a weekly film series exploring voyeurism and theatricality, cocktail charm and social taboos.
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Films
A New Leaf
Co-Presented by GaHee Park, Michael Vass & YBCA
See Elaine May’s “A New Leaf” (1971) as part of a weekly film series exploring voyeurism and theatricality, cocktail charm and social taboos.
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Films
Indie Film Screenings + TECH TALK: Filmmaking
Nexus & YBCA Present: San Francisco Black Film Festival
Presented as part of Nexus, join us for a screening of independent films and a discussion.
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Films
The Music Room
Co-Presented by GaHee Park, Michael Vass & YBCA
See Satyajit Ray’s “The Music Room (Jalsaghar)” (1958) as part of a weekly film series exploring voyeurism and theatricality, cocktail charm and social taboos.
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Films
The Ceremony
Co-Presented by GaHee Park, Michael Vass & YBCA
See Nagisa Ōshima’s “The Ceremony” (1971) as part of a weekly film series exploring voyeurism and theatricality, cocktail charm and social taboos.
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Films
Silent Shorts Program
Co-Presented by GaHee Park, Michael Vass & YBCA
This program of silent shorts features three multi-hyphenate artists-filmmakers-performers influential to GaHee Park’s work.
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Films
The Red Shoes
Co-Presented by GaHee Park, Michael Vass & YBCA
See “The Red Shoes” (1948) as part of a weekly film series exploring voyeurism and theatricality, cocktail charm and social taboos.
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