The Amsterdam-based design and research studio Metahaven use graphic design, identity branding, and product development as a means to negotiate the imagery and aesthetics surrounding commercial and political power structures. They describe their practice as “speculative design,” where design is “a tool used to inquire, to research, to anticipate—an instrument to imagine.” In their hands, design is a means of knowledge production, and thus carries significant potential for social and political change.
For this exhibition, Metahaven debut the first gallery presentation of The Sprawl. The project explores the mutation of propaganda in the age of social media, with a particular focus on how the diffuse, networked circulation of messages through these channels affects how we read, interpret, and understand events. Presented both online as a series of short films distributed across various platforms and in the gallery as a multichannel video installation, The Sprawl exists in a dispersed format in order to occupy the same space as its subjects, in essence becoming, as Metahaven describes it, “propaganda about propaganda.”
At once a documentary, an art film, and a music video (with an original soundtrack by the electronic musician Kuedo), the project centers on recent communications through the Internet and traditional news media regarding the Ebola outbreak, the conflict between the Ukraine and Russia, and the rise of the Islamic State (ISIS). The Sprawl incorporates found footage, popular online videos, staged interludes, and interviews with theorists, writers, and activists such as Benjamin H. Bratton, Monalisa Gharavi, and Peter Pomerantsev, revealing how propaganda now exists within a horizontal field of instantaneous, multiple messages.