Erin Shirreff, informed by her training in sculpture, explores the physical and technical aspects of image production in an effort to extend and examine the act of looking. This practice can be seen in the video Lake, which reworks a picture of Lake Okanagan in British Columbia from a 1980s tourist brochure using an intricate, multilayered process involving digital software and analog photography. Projected onto a freestanding wall, the work foregrounds the tension between a flat image and its three-dimensional physical support, providing an experience that is less cinematic, and more sculptural.