Satch Hoyt has participated in several international residencies, including CCP Foundation in Marrakech, Morocco (1998); Art Omi International, International Artists’ Colony (2002); and Red Mansion Art Foundation in Beijing (2007). His solo exhibitions include Tale Spinner, Nomad Gallery, Brussels (2011); Rhythm and Rhyme, Galerie Steinek, Vienna (2008); Game, Galerie Anne de Villepoix, Paris (2006); and Satch Hoyt, Galerie de l’Autre Cote de la Rue, Brussels (1997).

Hoyt’s group exhibitions include Newtopia: The State of Human Rights, Kazerne Dossin, Mechelen, Belgium (2012); Thrown Together, Nomad Gallery, Brussels (2012); The Record: Contemporary Art and Vinyl, Nasher Museum of Art, Duke University, Durham, NC (2010); The Global Africa Project, Museum of Arts and Design, New York (2010); Rockstone and Bootheel: Contemporary West Indian Art, Real Art Ways, Hartford, CT (2009); Small World, Triple Candie, New York (2009); The Scramble, House of World Cultures, Berlin (2009); The Sickness of the Hunting, Part 1, Musee d’Art Moderne et d’Art Contemporain, Nice, France (2008); Black Light White Noise, Contemporary Arts Museum Houston (2007); For the Love of the Game, Amistad Center for Art and Culture at the Wadsworth Atheneum Museum of Art, Hartford, CT (2007); Equatorial Rhythms, Stenersen Museum, Oslo (2007); Infinite Island, Brooklyn Museum (2007); The Beautiful Game: Contemporary Art and Fútbol, Roebling Hall, New York (2006); Black Panther Rank and File, Yerba Buena Center for the Arts, San Francisco (2006); Analog, Baltic Center for Contemporary Art, Newcastle, England (2006); Tate Liverpool Biennial, Liverpool, England (2004); Open House: Working in Brooklyn, Brooklyn Museum (2004); Black President: The Art and Legacy of Fela Anikulapo-Kuti, New Museum of Contemporary Art, New York (2003, traveling); The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis (2003); and Body Power / Power Play, Wurttembergischer Kunstverein, Stuttgart, Germany (2002).