Beatrix Fowler first came to visibility in the mid 2000’s with Barr, a mostly solo, confessional song writing project, releasing records and performing internationally in the experimental/diy/queer underground music circuits of the day. In the aughts she began additionally showing object based works that continued her sharing of personal biography — very rooted in the feminist person-is-political—which engage aspects of image making across various mediums of photography, sculpture, painting, instalation and architecture. For a few years she produced clothing, as well.