Andrew Norman Wilson (b. 1983, Medfield, Massachusetts) is an artist based in New York. Through webinars, installations, PowerPoint presentations, performances, audio meditations, and videos, Wilson’ intervenes in the brands and infrastructures of Silicon Valley and other worldwide tech corporations, questioning the roles of labor, power, and capital. His works are intended as instigations that aid in understanding the movement of information economies in the global marketplace as well as the power relations that emerge from them.
Wilson received his MFA from the School of the Art Institute of Chicago in 2011, and a BS in television, radio, and film from Syracuse University, Newhouse School of Public Communications in 2006. He has had solo and two-person exhibitions at the Leo Burnett Building, Chicago (2015), Chapter NY, New York (2015), Native Informant, London (2014), Greene Exhibitions, Los Angeles (2014), Fluxia, Milan (2014), Threewalls, Chicago (2013), tenstakonsthall.se, Tensta Konsthall, Stockholm (2013), Document, Chicago (2012), Art Metropole, Toronto (2012), New Capital, Chicago (2011), and Extra Extra, Philadelphia (2011). He has participated in group exhibitions at CCS Bard, Annandale-on-Hudson, New York (2015), the Contemporary Art Museum St. Louis (2015), the Center for Contemporary Art, Tel Aviv, Israel (2015), Import Projects, Berlin (2015), Haus der Kulturen der Welt, Berlin (2015, 2013), D21 Kunstraum Leipzig, Germany (2015), the Bologna Museum of Modern Art, Italy (2015), HQHQ Project Space, Portland, Oregon (2015), Yvon Lambert, Paris (2014), the New York Film Festival (2014), Palais de Tokyo, Paris (2014), Centre Georges Pompidou, Paris (2014), MAXXI – Museo nazionale delle arti del XXI secolo, Rome (2014), Ullens Center for Contemporary Art, Beijing (2014), Gallery 400, Chicago (2014), MoMA PS1, New York (2013), Galeri Nasional Indonesia, Jakarta (2013), Sala d’Art Jove, Barcelona (2013), the 55th Venice Biennale (2013), Art Dubai, UAE (2013), and Import Projects, Berlin (2013).