The latest Room for Big Ideas installation, Reimagine: That Which We Know But Don’t Realize, explores the ways in which we simultaneously create and conceal meaning in landscapes, and how that process defines us in relation to our environment.
YBCA has curated an exhibition of works that have proven to be particularly effective in supporting the goals and aspirations of those seeking to effect societal change on behalf of the 99%.
Connect is a public art project designed by David Szlasa to activate the exterior of Yerba Buena Center for the Arts as a new platform for creative expression. "Swim," a collection of fantasy movement gestures, is the first video to be presented on a new fifty-foot wide projection screen overlooking Howard Street.
The work of David Shrigley effortlessly infuses a comedic sensibility into a serious fine art practice. David Shrigley: Brain Activity showcases the diversity of the artist’s work — amateurish, crude drawings, hand-crafted sculptures made of unusual materials, and installations characterized by incongruities of scale — offering insightful and often surreal commentary on the absurdities of life, death and everything in between. Irreverent and mischievous, Shrigley’s art presents the kind of odd scenarios you never come across in real life, but wish you did.
“That-has-been” is what Roland Barthes has described as photography’s defining feature. It always points to something that is no more. One could say photos are souvenirs; photos frequently assume the role of one's own memories. Films, on the other hand, “flicker”—as Susan Sontag noted—and then “go out” again. They always occur in the here and now. Yet film can also be viewed as a memory container: it safeguards something. This program is comprised of photofilms in which private, personal histories and world history confront each other, and features works by Thierry Knauff, Agnès Varda, Franz Winzentsen, Jerzy Ziarnik, Helke Misselwitz, and Janet Riedel, Katja Pratschke, and Gusztáv Hámos. (93 minutes)