Sat, March 31, 2012
  • Encounter
    Feb 17, 2012 – May 6, 2012
    FREE
    Room for Big Ideas

    The Raw Feed presents work from three artists who explore the issues of globalization and dislocation, focusing on the ways in which we are given sustenance. The project includes an interactive rice factory that examines the politics of grain production and world hunger; a multidisciplinary video installation that takes a critical look at the messages fed to us by the United Nations; and a pop-up café built on a bicycle chassis that connects food with personal narratives of dislocation through a collection of war-time recipes. The act of feeding ourselves has served as the basis of ritual, connection and artistry for as long as we've lived in societies, and The Raw Feed brings together these disparate strands of shared experience in an exploration of what sustenance means.

    Public Programs
  • Reflect
    Jan 26, 2012 – Jun 24, 2012
    CrossFade Video Lounge

    Super 8 is a collection of video art in multi-channel formats, selected by a peer-to-peer curatorial process. Eight artists from eight cities across the globe were invited to present their videos, and invited four other artists from their respective cities to join them.

    Visual Arts
  • Encounter
    Feb 18, 2012 – May 27, 2012
    Gallery 1

    Mark Bradford transforms found material – much of it paper from sources such as billboards and newspapers – into large-scale collages and installations. Included in YBCA’s presentation is the large-scale work Detail, an ark-like sculpture reconstructed from components of Mithra, a piece created in response to the devastation caused by Hurricane Katrina. Also on view at YBCA will be Bradford’s socially charged 2011 work, Rat Catcher of Hamelin, which is composed of components of 50 billboards collected from all around South-Central Los Angeles. This comprehensive survey of Bradford’s career to date is co-presented by YBCA and SFMOMA and will be on view at both venues. Please note that there are separate admission policies for each institution.

    Visual Arts
  • Encounter
    Jan 26, 2012 – Jun 24, 2012
    Viewing Corridor

    At the point where long-held beliefs fall into decline and once-esteemed notions crumble, questions arise about those belief systems. It is at this point that John-Mark Ikeda begins his exploration of the current economic climate. Ikeda deconstructs the iconic business suit — which he equates with the failed economy — stripping it down to its component parts and pinning it to the wall like a specimen, with accompanying business accessories, in an attempt to reconstitute it as a symbol of power.

    Visual Arts
  • Soar
    Jan 21, 2012 – Apr 8, 2012
    Gallery 3

    Gina Osterloh’s new film project, Anonymous Front, is a visual essay on physical blindness and identity, created in collaboration with a vocational massage therapy school for the blind in the Philippines.

    Visual Arts
  • Dare
    Feb 18, 2012 – May 27, 2012
    Gallery 2

    The rock band on the stage, the athlete on the soccer field, the politician at the podium — all command the attention of huge crowds, not to mention cameras. Audience as Subject, Part 2: Extra Large turns the lens back on the audience, exposing the dramatic and narrative potential of the crowd itself.

    Visual Arts
  • Encounter
    Mar 31, 2012 2:00pm
    FREE w/ gallery admission; FREE for YBCA and SFMOMA members
    Screening Room

    Mark Bradford, in conversation with writers Ernest Hardy and Sue Bell Yank, will discuss the conceptual framework behind Mithra and how it relates to the examination of cultural regeneration within a post-disaster urban environment. Given the controversy surrounding Prospect.1 New Orleans, the guest speakers will have the opportunity to re-examine the cultural ramifications of the first US biennial in relation to the host city, as well as elaborate on Mithra’s contribution within that given context.

    Public Programs
  • Dare
    Mar 31, 2012 5:00pm
    FREE w/ gallery admission
    Screening Room

    An engaging panel discussion featuring four speakers representing different perspectives on current artistic trends around audiences, spectators, and fans. Academics Henry Jenkins (University of Southern California) and Andrew Weiner (California College of the Arts), with artists Andrea Bowers and Tania Bruguera (via skype), examine issues of spectatorship in contemporary practice in an attempt to understand the individual’s behavior within environments of collective participation.

    Public Programs
  • Community Program
    SFJAZZ: Benny Velarde
    Mar 31, 2012 8:00pm
    YBCA Forum
    Buy tickets at sfjazz.org »

    SFJAZZ BEACON AWARD

    Timbalero and composer Benny Velarde is synonymous with Latin jazz in the Bay Area. Coming of age as San Francisco was developing an influential synthesis of modern jazz and Cuban percussion, he played an instrumental role in the new sound’s birth. Born in Panama City, his family relocated to San Francisco in 1945 and he established himself during a long stint with legendary vibraphonist Cal Tjader and work with the likes of Mongo Santamaria, Joe Henderson, Errol Garner, Stan Getz, Vince Guaraldi, Lalo Schifrin and other giants. A leader of his own bands since 1960, Velarde, now 81, has nurtured generations of local musicians and is a beloved Latin jazz ambassador. With John Santos in the group as percussionist and musical coordinator, Velarde will be honored with the 2012 SFJAZZ Beacon Award for lifetime achievement.

    Photo courtesy of the artist

    Performing Arts
  • Community Program
    Robert Moses' Kin
    Mar 30, 2012 8:00pm
    Mar 31, 2012 8:00pm
    Apr 1, 2012 8:00pm
    Lam Research Theater at YBCA
    Buy tickets »

    “A visually delicious beast that never comes short of dazzling the senses” (The Huffington Post), Robert Moses’ Kin presents its 17th Annual Home Season, March 30 – April 1. The program will feature: the world premiere of Helen, a trio inspired by the words and music of Carl Hancock Rux, the poetry by E. Ethelbert Miller and Homer’s Iliad; excerpts from the forthcoming Scrubbing the Dog, investigating the residual effects of "scrubbed" or desensitized iconography and beliefs; Biography, inspired by the life and work of author James Baldwin; and the award-winning The Soft Sweet Smell of Firm Warm Things — not seen in its entirety since 2003 — and Speaking Ill of the Dead, Moses' 2007 meditation on war. Don’t miss Robert Moses' Kin whose last season the San Francisco Chronicle hailed as "masterful" and "an enchanted spell."

    www.RobertMosesKin.org

    Photo: RJ Muna

    Performing Arts

March 2012

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