With the use of delicate materials, Lauren DiCioccio creates soft sculptures of objects disappearing from the everyday, for better or worse. Replicas of newspapers, currency, and plastic bags and bottles are formed out of dainty fabrics tediously hand–embroidered with thread.
Jennie C. Jones' practice resides at the intersection of art history, music history and African-American history, layering the formal language of modern art—abstraction and minimalism—over the conceptual and technical strategies of avant-garde jazz.
YBCA, Contemporary Jewish Museum and Museum of the African Diaspora are all currently presenting exhibitions celebrating the rich musical heritage of African American artists. Thursday, February 24, in honor of Black History Month, we invite you to attend all three institutions for the price of one. Paid admission at any one of the three institutions will also allow you free access to the other two.
2004 – 7 pm Dance with me to the End of Love by Yu Lik–wai; Influenza by Bong Joon–ho; & Mirrored Mind by Ishii Sogo
2005 – 9 pm Haze by Shinya Tsukamoto; Magician(s) by Song Il–gon; & Worldly Desires by Apichatpong Weerasethakul