‹ Fri, February 18, 2011 ›

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  • Soar
    Volume 14: Middle East
    Volume 14: Middle East
    Jan 13, 2011 – Mar 27, 2011
    CrossFade Video Lounge

    Compiled by ASPECT: The Chronicle of New Media Art, Volume 14: Middle East, explores a region so culturally conflicted that the very term "Middle East" is disputed as a holdover from colonialism.

    Visual Arts
  • Soar
    Lauren Dicioccio
    Lauren DiCioccio: Remember the Times
    Jan 13, 2011 – Mar 27, 2011
    Viewing Corridor

    With the use of delicate materials, Lauren DiCioccio creates soft sculptures of objects disappearing from the everyday, for better or worse. Replicas of newspapers, currency, and plastic bags and bottles are formed out of dainty fabrics tediously hand–embroidered with thread.

    Visual Arts
  • Reflect
    Jennie C. Jones
    Jennie C. Jones: Counterpoint
    Jan 29, 2011 – Mar 27, 2011
    Gallery 3

    Jennie C. Jones' practice resides at the intersection of art history, music history and African-American history, layering the formal language of modern art—abstraction and minimalism—over the conceptual and technical strategies of avant-garde jazz.

    Visual Arts
  • Community Program
    Robert Moses' Kin: Fable & Faith
    Feb 18, 2011 – Feb 20, 2011
    Lam Research Theater at YBCA

    BUY TICKETS »

    Always innovative and elegant, Robert Moses' Kin premieres Fable & Faith, exploring the power of myths to shape and transform imagination and identity through the metaphor of children's fables. Created by choreographer Robert Moses with playwright Anne Galjour, Fable & Faith features the Grammy–winning San Francisco Boys Chorus directed by Ian Robertson. The company also performs The Cinderella Principle (2010), a multi–media exploration into non-traditional family structures.

  • Encounter
    Tearoom
    Tearoom
    Feb 18, 2011 8:30pm
    Screening Room

    Filmmaker in person Tearoom consists entirely of footage created in 1962 by the Mansfield, Ohio police department documenting clandestine sexual encounters between men in a public restroom with minimal editorial intervention, and devoid of direct commentary.

    Film & Video
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February 2011

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