With the use of delicate materials, Lauren DiCioccio creates soft sculptures of objects disappearing from the everyday, for better or worse. Replicas of newspapers, currency, and plastic bags and bottles are formed out of dainty fabrics tediously hand–embroidered with thread.
Jennie C. Jones' practice resides at the intersection of art history, music history and African-American history, layering the formal language of modern art—abstraction and minimalism—over the conceptual and technical strategies of avant-garde jazz.
Robert Moses' Kin: Fable & Faith
Feb 18, 2011 – Feb 20, 2011
Lam Research Theater at YBCA
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Always innovative and elegant, Robert Moses' Kin premieres Fable & Faith, exploring the power of myths to shape and transform imagination and identity through the metaphor of children's fables. Created by choreographer Robert Moses with playwright Anne Galjour, Fable & Faith features the Grammy–winning San Francisco Boys Chorus directed by Ian Robertson. The company also performs The Cinderella Principle (2010), a multi–media exploration into non-traditional family structures.
Filmmaker in personTearoom consists entirely of footage created in 1962 by the Mansfield, Ohio police department documenting clandestine sexual encounters between men in a public restroom with minimal editorial intervention, and devoid of direct commentary.