‹ Thu, January 27, 2011 ›

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  • Encounter
    Yoshua Okón: 2007–2010
    Yoshua Okón: 2007-2010
    Oct 30, 2010 – Feb 6, 2011
    Gallery 1

    Yoshua Okón video installations are built on improvisational narratives created by the artist and his collaborators, mostly non-actors willing to participate in a game of social chance that may easily spiral out of control.

    Visual Arts
  • Soar
    Volume 14: Middle East
    Volume 14: Middle East
    Jan 13, 2011 – Mar 27, 2011
    CrossFade Video Lounge

    Compiled by ASPECT: The Chronicle of New Media Art, Volume 14: Middle East, explores a region so culturally conflicted that the very term "Middle East" is disputed as a holdover from colonialism.

    Visual Arts
  • Soar
    Lauren Dicioccio
    Lauren DiCioccio: Remember the Times
    Jan 13, 2011 – Mar 27, 2011
    Viewing Corridor

    With the use of delicate materials, Lauren DiCioccio creates soft sculptures of objects disappearing from the everyday, for better or worse. Replicas of newspapers, currency, and plastic bags and bottles are formed out of dainty fabrics tediously hand–embroidered with thread.

    Visual Arts
  • Dare
    Audience As Subject, Part 1: Medium
    Audience as Subject: Part 1 - Medium
    Oct 30, 2010 – Feb 6, 2011
    Gallery 1

    Audience as Subject is a two-part exhibition that reverses the role of the audience from that of spectator to subject, exposing the dramatic mechanisms underlying public gatherings of people.

    Visual Arts
  • Encounter
    British Television Advertising Awards 2010
    British Television Advertising Awards 2010
    Jan 27, 2011 3:00pm
    Jan 27, 2011 5:00pm
    Jan 27, 2011 7:00pm
    Jan 27, 2011 9:00pm
    Jan 28, 2011 3:00pm
    Jan 28, 2011 5:00pm
    Jan 28, 2011 7:00pm
    Jan 28, 2011 9:00pm
    Jan 29, 2011 3:00pm
    Jan 29, 2011 5:00pm
    Jan 29, 2011 7:00pm
    Jan 29, 2011 9:00pm
    Jan 30, 2011 3:00pm
    Jan 30, 2011 5:00pm
    Jan 30, 2011 7:00pm
    Screening Room

    The BTAA program obviously investigates the "Encounter" Big Idea, in which we explore artistic engagement with the social context. These commercials are indeed commercial, and are created to directly engage the public.

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