‹ Sun, January 16, 2011 ›

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  • Encounter
    Yoshua Okón: 2007–2010
    Yoshua Okón: 2007-2010
    Oct 30, 2010 – Feb 6, 2011
    Gallery 1

    Yoshua Okón video installations are built on improvisational narratives created by the artist and his collaborators, mostly non-actors willing to participate in a game of social chance that may easily spiral out of control.

    Visual Arts
  • Soar
    Volume 14: Middle East
    Volume 14: Middle East
    Jan 13, 2011 – Mar 27, 2011
    CrossFade Video Lounge

    Compiled by ASPECT: The Chronicle of New Media Art, Volume 14: Middle East, explores a region so culturally conflicted that the very term "Middle East" is disputed as a holdover from colonialism.

    Visual Arts
  • Dare
    Nina Beier
    Nina Beier: What Follows Will Follow II
    Dec 4, 2010 – Jan 23, 2011
    Gallery 3

    Nina Beier's work focuses on shared actions, experiences and histories that bind people together in close relationships, temporary groups or abstract communities

    Visual Arts
  • Soar
    Lauren Dicioccio
    Lauren DiCioccio: Remember the Times
    Jan 13, 2011 – Mar 27, 2011
    Viewing Corridor

    With the use of delicate materials, Lauren DiCioccio creates soft sculptures of objects disappearing from the everyday, for better or worse. Replicas of newspapers, currency, and plastic bags and bottles are formed out of dainty fabrics tediously hand–embroidered with thread.

    Visual Arts
  • Dare
    Audience As Subject, Part 1: Medium
    Audience as Subject: Part 1 - Medium
    Oct 30, 2010 – Feb 6, 2011
    Gallery 1

    Audience as Subject is a two-part exhibition that reverses the role of the audience from that of spectator to subject, exposing the dramatic mechanisms underlying public gatherings of people.

    Visual Arts
  • Reflect
    Lost In Japan: The Existential Comedies of Yuya Ishii
    Sawako Decides — Sunday Matinee
    Jan 16, 2011 2:00pm
    Screening Room

    The best film released in 2010? Quite possibly. In this loopy tale of female empowerment, Sawako is a clueless young woman who embraces her own mediocrity. She quits her miserable, humiliating job in Tokyo to return to her hometown. Though pretty much everything that happens there is a disaster, she finally begins to make sense of her life and herself. It’s a bold claim, but the last scene is one of the most moving (and shocking) scenes in the history of cinema. Do not miss this film. (2010, 112 min, 35mm)

    Film & Video
  • Reflect
    Lost In Japan: The Existential Comedies of Yuya Ishii
    To Walk Beside You— Sunday Screening
    Jan 16, 2011 5:00pm
    Screening Room

    US Premiere
    In this offbeat and often beautiful film, Norio is 17 and wants to die. After his parents' suicide, he feels it's the only choice. But his teacher Akemi shows him a very different path: move to Tokyo and become a lawyer. But now that he has a benefactor and a reason to live, Norio has to figure out how to make that a life worth living. To Walk Beside You is absurdist tragicomedy at its most poignant. (2009, 90 min, digital)

    Film & Video
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