Sun, December 5, 2010
  • Encounter
    Oct 30, 2010 – Feb 6, 2011
    Gallery 1

    Yoshua Okón video installations are built on improvisational narratives created by the artist and his collaborators, mostly non-actors willing to participate in a game of social chance that may easily spiral out of control.

    Visual Arts
  • Dare
    Dec 4, 2010 – Jan 23, 2011
    Gallery 3

    Nina Beier's work focuses on shared actions, experiences and histories that bind people together in close relationships, temporary groups or abstract communities

    Visual Arts
  • Encounter
    Oct 14, 2010 – Jan 9, 2011
    Viewing Corridor

    Katya Bonnenfant, who works under the artistic moniker the old boys’ club, approaches various subjects — including ideas around desire and judgment — with humor, whimsy and lightness of mood, even if the subjects themselves reject this levity. La Destitution de la jeune fille is composed of original wallpaper, wooden sculptures, and projected
    animations depicting warring cartoon-like characters in masks with origins in various cultures.

    Visual Arts
  • Soar
    Oct 14, 2010 – Jan 9, 2011
    CrossFade Video Lounge

    Cao Fei, one of the most celebrated artists to emerge from China over the past ten years, has been presenting telling, biting, and humorous tales that chronicle the trials and tribulations of China's new middle class.

    Visual Arts
  • Dare
    Oct 30, 2010 – Feb 6, 2011
    Gallery 1

    Audience as Subject is a two-part exhibition that reverses the role of the audience from that of spectator to subject, exposing the dramatic mechanisms underlying public gatherings of people.

    Visual Arts
  • Dare
    Dec 5, 2010 3:00pm
    Screening Room

    By Greg Mclean
    Hardly anyone saw this terrifying film when it came out in 2005, misguidedly released on Christmas Day – a bad idea for the multiplex crowd. Possibly the best horror film of the decade, it is the story of a group of hikers who run into big trouble in the Australian outback. It slowly and quietly draws you in to what seems like an overly familiar horror cliché, then pulls out all of the stops straight into a total nightmare, with no solid ground to hold on to. (2005, 99 min, 35mm)
    Followed by an informal discussion about issues in contemporary horror.

    Film & Video

December 2010

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