Katya Bonnenfant, who works under the artistic moniker the old boys’ club, approaches various subjects — including ideas around desire and judgment — with humor, whimsy and lightness of mood, even if the subjects themselves reject this levity. La Destitution de la jeune fille is composed of original wallpaper, wooden sculptures, and projected
animations depicting warring cartoon-like characters in masks with origins in various cultures.
Yoshua Okón video installations are built on improvisational narratives created by the artist and his collaborators, mostly non-actors willing to participate in a game of social chance that may easily spiral out of control.